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Starting September 1st, official home of "Project 366"
Category: Music
Location: Ottawa, ON
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by Pierre
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December 03, 2020 07:00 AM PST

"Sonatas by Beethoven" When I think of sonatas for, say, the violin with piano accompaniment, the image that I have in my mind is, like a “singer”, the solo instrument is allowed to shine, sometimes relinquishing the spotlight to the accompanying piano, but sometimes taking center stage. A sonata is not unlike a song or lieder cycle – the movements aren’t so disparate that you can’t recognize that they form an homogeneous group of short pieces. Read our commentary @ http://itywltmt.blogspot.com/2015/06/sonatas-by-beethoven.html, details @ https://archive.org/details/pcast202-Playlist (ITYWLTMT Podcast #202 - 12 jun 2015)

December 02, 2020 07:00 AM PST

"Brautigam & Beethoven" Dutch pianist Ronald Brautigam is not necessarily a household name, but as his recordings on the BIS label multiply, he very well should be. Ii’s not Brautigam’s enviable technical polish that sets him apart from many of his colleagues, nor his lofty musical grasp. It is his individuality. He has a searching musical intelligence, a disarming self-effacement before the score, and an astonishing conscientiousness that, in combination, make him sound like no one else. Read our bilingual commentary @ http://itywltmt.blogspot.com/2012/05/montage-56-brautigam-beethoven.html. Details @ https://archive.org/details/Pcast056Playlist (ITYWLTMT Podcast #56 - 25 May, 2012)

December 01, 2020 07:00 AM PST

"Beethoven "Number One" Montage" In December, most of our montages will commemorate Beethoven's 250th birthday, which will come later in the month. To start us off, this all-Beethoven program, featuring three "firsts"', including his first (of four) overtures to his only opera, Leonore (which later was retitled Fidelio). Read our bilingual commentary @ http://itywltmt.blogspot.com/2011/10/montage-28-beethoven-number-one-montage.html. Details @ https://archive.org/details/Pcast028Playlist (ITYWLTMT Podcast # 28 - October 28, 2011)

November 30, 2020 07:00 AM PST

"In Memoriam: They Left Us in 2012" To end our mponth-long look at deceased artists, we share a final tribute to the many artists who left us in 2012. Read our bilingual commentary @ http://itywltmt.blogspot.ca/2012/11/montage-82-in-memoriam-they-left-use-in.html, details @ https://archive.org/details/pcast082-Playlist (ITYWLTMT Podcast #82 - 30 Nov 2012)

November 28, 2020 07:00 AM PST

"This Day in Music History, 21-06-1954" An acetate disc is a type of mechanical sound storage medium, widely used from the 1930s to the late 1950s for recording and broadcast purposes and still in limited use today. They are also known as a lacquer (a technically correct term preferred by engineers in the recording industry), test acetate, or transcription disc (a special recording intended for, or made from, a radio broadcast). This is the original medium used to capture Glenn Gould CBC Radio performances in the early to mid-1950’s featured in this listener guide, including his first known recording of the Goldberg Variations. Read our commentary @ http://itywltmt.blogspot.com/2014/06/montage-161-this-day-in-music-history.html, details @ https://archive.org/download/pcast161-Playlist/pcast161-Playlist.pdf (ITYWLTMT Podcast # 161 - 20 June 2014)

November 28, 2020 07:00 AM PST

"In Memoriam: Glenn Gould (1932-1982)" Glenn Gould left us in 1982, and this montage looks at him as a pianist and composer. Read our bilingual commentary @ http://itywltmt.blogspot.ca/2012/11/montage-81-in-memoriam-glenn-gould.html, details @ https://archive.org/details/pcast081-Playlist (ITYWLTMT Montage #81 - 23 Nov 2012)

November 27, 2020 12:00 AM PST

Our month-long "In November we Remember" series of tribute montages continues with Canadian conductor Mario Bernardi, who left us in 2013. Works by Respighi, Mozart and Schumann. Read our fresh take on November 27 @ http://itywltmt.blogspot.com/, details @ https://archive.org/details/pcast130-Playlist (ITYWLTMT Podcast #130 - 8 Nov 2013)

November 26, 2020 07:00 AM PST

Thanksgiving Day is a national holiday celebrated on various dates in Canada, the United States, some of the Caribbean islands, and Liberia. Similarly named festival holidays occur in Germany and Japan. Although Thanksgiving has historical roots in religious and cultural traditions, it has long been celebrated as a secular holiday. Read our commentary @ https://itywltmt.blogspot.com/2018/11/thanksgiving.html, details @ https://archive.org/details/pcast296-Playlist (ITYWKTMT Montage #296 - 23 Nov 2018)

November 25, 2020 07:00 AM PST

"Oscar Peterson (1925-2007)" Jazz pianist Oscar Peterson grew up in Montreal’s Little Burgundy, a predominantly black neighbourhood where he found himself surrounded by the jazz culture that flourished in the early 20th century. His father, Daniel Peterson, an amateur trumpeter and pianist, was one of his first music teachers. As a child, Peterson studied with Hungarian-born pianist Paul de Marky, a student of István Thomán, who was himself a pupil of Franz Liszt. At the age of nine Peterson played piano with control that impressed professional musicians. Read our commentary @ http://itywltmt.blogspot.com/2017/06/oscar-peterson-1925-2007.html, details @ https://archive.org/details/pcast252-Playlist (ITYWLTMT Montage #252 - 30 June 2017)

November 24, 2020 07:00 AM PST

"Sir Neville Marriner (1924 – 2016)" For our homage to Sir Neville Marriner, we have put together a trio of works by Haydn, Mozart and Tchaikovsky. The Suite is scored for an orchestra consisting of strings, piccolo, 3 flutes, 2 oboes, English horn, 2 clarinets (in C, A), 2 bassoons + 4 horns (in F), 3 trumpets (C, E), 3 trombones, tuba + timpani, tambourine, triangle, cymbals, bass drum + harp. The Scherzo burlesque includes parts for four accordions ad libitum, and Tchaikovsky's note at the head of this movement reads: “To receive the proper effect of this piece, accordions are very much desirable, but not essential. They should be in the key of E and with 10 keys. The performers of the first and second accordion parts should use their right hands for the 6th and 7th stops, and the performers of the third and fourth parts on the 2nd and 3rd. In both cases the left hand should be used for both large stops. The large notes relate to the sounds produced with the right hand, and the small notes to the bass chords produced by pressing with the left hand.” Read our commentary @ http://itywltmt.blogspot.com/2017/03/in-memoriam-sir-neville-marriner-1924.html, details @ https://archive.org/details/pcast243-Playlist (ITYWLTMT Podcast #243 - 24 Mar, 2017)

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