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Starting September 1st, official home of "Project 366"
Category: Music
Location: Ottawa, ON
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by Pierre
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May 06, 2021 06:00 AM PDT

"Say your Prayers" Prayers of all sorts, with and without words. Works by Boulanger, Bernstein, Poulenc, Schubert and many more. Read our commentary @ http://itywltmt.blogspot.com/2014/03/montage-146-say-your-prayers.html, details @ https://archive.org/details/pcast146-Playlist (ITYWLTMT Podcast #146 - 7 Mar 2014)

May 05, 2021 06:00 AM PDT

"South of the Border" For cinco de Mayo, a sort visit to South and Central America with music from Mexico, Brazil and Argentina. Read our bilingual commentary @ http://itywltmt.blogspot.com/2012/08/montage-68-south-of-bordervers-le-sud.html. Details @ https://archive.org/details/pcast-068-playlist OITYWLTMT Podcast #68 - 24 Aug 2012)

May 04, 2021 06:00 AM PDT

"Star Wars" Steven Spielberg recommended John Williams to his friend and fellow director George Lucas, who needed a composer to score his ambitious 1977 space epic film Star Wars. Williams delivered a grand symphonic score in the fashion of Richard Strauss and Golden Age Hollywood composers Steiner and Korngold. Its main theme, "Luke's Theme" is among the most widely recognized in film history, and the "Force Theme" and "Princess Leia's Theme" are well-known examples of leitmotiv. Both the film and its score were immensely successful—it remains the highest grossing non-popular music recording of all-time. In 1980, Williams returned to score The Empire Strikes Back, where he introduced "The Imperial March" as the theme for Darth Vader and the Galactic Empire, "Yoda's Theme", and "Han Solo and the Princess". The original Star Wars trilogy concluded with the 1983 film Return of the Jedi, for which Williams' score provided most notably the "Emperor's Theme", "Parade of the Ewoks", and "Luke and Leia". Read our commentary @ hhttp://itywltmt.blogspot.com/2016/10/star-wars.html, details @ https://archive.org/details/pcast232-Playlist (ITYWLTMT #232 - 16 Oct 2016)

May 03, 2021 06:00 AM PDT

"Mozart & Bartok" Hungarian pianist Géza Anda (1921 –1976) was a celebrated interpreter of the classical and romantic repertoires, particularly noted for his performances and recordings of Mozart, he was also a tremendous interpreter of Beethoven, Schumann, Brahms and Bartók. Despite the high regard he had achieved in his heyday, his reputation has faded somewhat from view since his death from cancer at the age of fifty-four. Read our bilingual commentary @ http://itywltmt.blogspot.com/2012/01/monrage-40-mozart-bartok.html. Details @ https://archive.org/details/Pcast040Playlist (ITYWLTMT Montage #40, 17 Jan 2012)

May 02, 2021 06:00 AM PDT

"A Suite at the Movies" A little play on words, as we enjoy a âsuiteâ at the movies â and orchestral suites by composers based on music they wrote for films. Music and film goes back to the days of silent films, where music played a large role in providing desired mood effects, and later in the Musicals of the 1940âs, only to name those. Composers as far back as Camille Saint-Saëns provided film music, and a great number of European composers (most noteworthy here being Franz Waxman and Erich Korngold) moved to Hollywood to score great epic films of the first half of the 20th century. Read http://itywltmt.blogspot.ca/2011/09/montage-20-suite-at-movies-une-loge-au.html, details @ https://archive.org/download/Pcast020Playlist/pcast020%20Playlist.pdf (ITYWLTMT Podcast #20 - September 2, 2011)

May 01, 2021 06:00 AM PDT

"Sousa & Suppé" The works I programmed for today's listener guide are bonbons, sweet, tasty works for orchestra (or band) by probably two of the great masters of the genre: John Philip Sousa and Franz von Suppé. Read our bilingual commentary 6 @ http://itywltmt.blogspot.ca/2013/09/montage-121-sousa-suppe.html, details @ https://archive.org/details/pcast121-Playlist (ITYWLTMT Podcast # 121 - 06 Sep, 2013 )

April 29, 2021 11:00 PM PDT

This week’s podcast features Soviet-era conductor Kiril Kondrashin in works by Tchaikovsky and Shostakovich. Read our commentary on April 30 @ https://itywltmt.blogspot.com/, details @ https://archive.org/details/pcast356-Playlist

April 29, 2021 06:00 AM PDT

"Theme and Variations: The Orchestra Edition" Benjamin Britten’s Variations and Fugue on a Theme by Purcell is also commonly known as “The Young Person’s Guide to the Orchestra”, and is often performed with a narrator introducing the different variations which, in turn, showcase sections of the orchestra. One could rightly say that this work is a “concerto for orchestra". Read our commentary @ http://itywltmt.blogspot.com/2014/01/montage-141-theme-and-variations.html, details @ https://archive.org/download/pcast141-Playlist/pcast141-Playlist.pdff (ITYWLTMT Podcast #141 - 31 Jan 2014)

April 28, 2021 06:00 AM PDT

"Theme and Variations: The Piano Edition" Themes and Variations continue with a number of works for piano in that vein by Brahms, Chopin, Schubert, Mendelssohn and Webern. Read our commentary @ http://itywltmt.blogspot.com/2014/01/montage-140-theme-and-variations-piano.html, details @ https://archive.org/details/pcast140-Playlist (ITYWLTMT Podcast #140 - 24 Jan 2014)

April 27, 2021 06:00 AM PDT

"Theme and Variations: The Paganini Edition" 'Theme and variation' structure generally begins with a theme followed by variations on that theme - each variation, particularly in music of the eighteenth century and earlier, will be of the same length and structure as the theme. This form may in part have derived from the practical inventiveness of musicians, and our first selection - Paganini's 24th caprice for solo violin - is an excellent example of the genre. Read our commentary @ http://itywltmt.blogspot.com/2014/01/montage-137-theme-and-variations.html, details @ https://ia601501.us.archive.org/33/items/pcast137-Playlist/pcast137-Playlist.pdf (ITYWLTMT Podcast # 137 - 3 Jan 2014)

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